Blood on the Sand (DI Andy Horton Series, Book 5)

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For example, they let us know which features and sections are most popular. This information helps us design a better experience for all users. To learn more about cookies, please see our cookie policy. To learn more about how we use and protect your data, please see our privacy policy. Series DI Andy Horton. This story is a very good workout for your grey matter.

Thank you, M. Chouinard and Bookouture via Netgalley. While pursuing a Ph. D in psychology and helping to found the first U. Deep in space, on Mars, a robot rover searches for traces of water, one of the key things needed to support life. Back on Earth, Dr. Vandi Verma guides the robot, Curiosity, in its search. People all around the world were enchanted by animations like Princess and the Frog and Bravest Warriors, but before they ever hit the screen, Sonya Carey imagined and designed them. These are just some of the colorful careers of these Everyday Superheroes making the world a greener, healthier, and cleaner place.

Pauline Rowson – Audio Books, Best Sellers, Author Bio |

When you speak about jobs in the STEM industry, you always think about men doing them. More and more women are taking places in this area but unfortunately they still seem to remain hidden. The author puts some of these ladies in the more than deserved spotlight in a very pleasant way. The book has a pretty nice layout and is attractive to leaf through and read of course.


I also like the way the author has added some assignments to carry out for those who want to. I think it would be really interesting to use this book in the classroom. Thank you, Erin Twamley for making this such a enjoyable and worthwhile read. Currently, she has authored three non-fiction STEM-focused books for children ages years old with three new books currently in the works. Erin provides author and S. She can be reached at erinedu gmail. Following a sudden break-up, Englishman in New York Nick Braeburn takes a room with the elderly Peacock sisters in their lavish Upper East Side apartment, and finds himself increasingly drawn to the priceless piece of Egyptian art on their study wall — and to Lydia, the beautiful Portuguese artist who lives across the roof garden.

But as Nick draws Lydia into a crime he hopes will bring them together, they both begin to unravel, and each finds that the other is not quite who they seem. The Weighing of the Heart is about a young British guy living in New York called Nick Braeburn, who moves in with a couple of rich older ladies as a lodger in their opulent apartment on the Upper East Side. He gets together with their other tenant, Lydia, who lives next door, and the two of them steal a priceless work of art from the study wall.

My wife Eleanor and I have just come back from a few years living in New York, where I was working for the Guardian newspaper, so people usually assume that I based the book on my own experiences as a Brit in Manhattan. So I wrote a lot The Weighing of the Heart at my kitchen table or on my sofa in my old flat in north London, and then when we moved to New York I finished the ending of the book in a library quite near our flat, in SoHo, just round the corner from where David Bowie lived.

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We only had a very small flat so it would have been pretty antisocial of me to write at home. Then later the Guardian office moved to a co-working space run by WeWork, which meant that at the weekends I could book space in any of the other WeWork offices anywhere in New York. So when I would work on my writing on Saturdays or Sundays I would go to a different WeWork each time, which was great because I really got to explore the city and work in lots of different places, and it was brilliant to feel immersed in New York and to be seeing the sights of the city out of the window as I was working.

There was one office in Midtown that I really liked with a great view right into the forest of skyscrapers. At another one in Tribeca, I came downstairs once at about 5pm and the other WeWorkers were having a rave on the ground floor. Before starting I try to get as many of my chores, responsibilities and tasks out of the way so that I have as long a block of time to write as possible, because I find that the more you can immerse yourself in the world of the book the more new ideas will spark up.

I usually work in the kitchen and try to give myself as much natural light as possible.

Death Lies Beneath, a gripping Inspector Andy Horton crime novel

And then at university I loved the modernists like Faulkner, Eliot, Woolf, the idea of fractured narratives, and I took a great course on contemporary writers that introduced me to postmodernism — John Fowles, Salman Rushdie, Julian Barnes — and the idea that you could present the reader a story within a story and play with their perception of exactly what they were reading. My favourite section of Underworld involves a nun in the Bronx in the 80s visiting homeless people with AIDS, which is also published as the lead story in his collection The Angel Esmeralda.

I tried to do that at moments in The Weighing of the Heart too. Despite its size and scale, reading Underworld for the first time in my early 20s made writing fiction seem manageable for me for the first time. I think you always base characters on aspects of people you know, or aspects of yourself. The Weighing of the Heart was recently up for an award called the Not the Booker Prize and the finalists were decided by public vote. Aside from that, I get a lot of ideas from art exhibitions and one in particular was crucial to The Weighing of the Heart. But not long after I had started the book I went to a fascinating exhibition at the British Museum called The Ancient Egyptian Book of the Dead, which told the story of what the Ancient Egyptians believed happened to you when you die.

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In the Ancient Egyptian version, Anubis, the god of embalming, presides over a set of weighing scales, with the heart of the dead person on one side and a feather on the other. If the heart is in balance with the feather, you get to go to Heaven, which they called the Field of Reeds.

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But if your heart is heavier than the feather, you get eaten by an appalling monster called the Devourer, who has the head of a crocodile, the body of a lion, and the back legs of a hippopotamus — three of the most dangerous creatures that Ancient Egyptians could encounter.

And, intriguingly, one thing they were afraid of was that the heart would actually try to grass you up during this ceremony — sometimes the heart would speak up and reveal your worst sins to Anubis at this crucial moment. I was spellbound by this ornate mythology, which had formed over centuries and millennia; I loved the way it was so familiar in its overall concept but so strange and unfamiliar in its details.

And I realised that the painting Nick and Lydia should steal should be an image of this ceremony, the weighing of the heart. And without. I used to when I first started writing. It was easy to do it because I was working as a local newspaper reporter, so I always had a notepad and a pen on me. But I quickly graduated to using my phone to take notes, and I still do that; I probably jot something down every day. You can be watching, say, Jaime Lannister interact with his sister Cersei and hate him, and then a couple of scenes later see him in a different context with Brianne or Catelyn and view him in a completely different light.

The writing was fantastic. I got so obsessed with it at one stage that I even wrote a short song about the popular fan theory that Bran Stark was going to turn into the villain, the Night King. It was like a fever breaking. It was almost a relief. Whom would it be with? I know that Lynch would instinctively understand where to take it.

And consciously and unconsciously those visits have been research trips for my novels, including The Weighing of the Heart. I feel like in terms of my writing New York is like a stage for me, a stage I feel confident moving my characters around on. Book Link. Writers are always well looked after at the Bookie. In their latest workshop applying the science of happiness to creative writing, Elise Valmorbida and Vanessa King explore how to engage your senses to write freely. Elise Valmorbida and Vanessa King.

The festival supports local writers as well as big name authors. And local writers will read from their latest works, covering everything from comedy to yoga, love stories to local history, and everything in between. The Margate Bookie is a registered charity number which works to encourage a love of literature. A definite winner in the crowded field of British procedurals. Booklist A rapid fire tale. Kirkus Reviews The very tight plotting was very impressive and make me want to look out for further books by this author.

A very enjoyable read. Eurocrime show more. Her crime novels have been hailed as the 'Best of British Crime Fiction,' exemplary procedurals,' 'an entertaining read in an engaging series,' and her writing likened in the USA to that of Ed McBain. She is also the author of two fast-paced, thrillers one of which is In Cold Daylight which was voted by the public as one of the top ten best reads for World Book Day.

Her crime novels have an international readership and have been translated into several languages. Pauline was longlisted for the prestigious Dagger in the Library Award Rating details.

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